Reclamation
(2018 – 2019)
Dept. of the Stolen Corporeal
(2019 – Present)
It’s All a Song Here
(2024 - Present)
(2018 – 2019)
Dept. of the Stolen Corporeal
(2019 – Present)
It’s All a Song Here
(2024 - Present)
In Perpetuity We Are Always Arriving (2025)
Crazing Performance (2025)
Falls Count Anywhere Performance (2025)
Curatorial Projects
About
Crazing Performance (2025)
Falls Count Anywhere Performance (2025)
Curatorial Projects
About
Reclamation
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Reclamation looks at the intersection of film noir’s perpetuation of the Madonna-Whore dichotomy and the iconography of contemporary sex work. This body of work utilizes the stylized elements of noir to support the belief that the Femme Fatale archetype can be transposed onto today’s at-risk community of sex workers.
Sex work affirms the right of disabled, queer, and divergent people to work. Their consensual employment in the field furthers the perception that the workers themselves are threatening to social moires. If the Femme Fatale archetype was used in Noir to warn of the consequences of a woman’s non-traditional decisions, then its forceful transposition today onto sex workers speaks to our current moment's inability to grapple with not just rights, but autonomy.
This series is reliant on the artist and participants’ positions within the sex work community and is a reaction to the April 2018 passing of the bill package S.E.S.T.A./F.O.S.T.A.
Sex work affirms the right of disabled, queer, and divergent people to work. Their consensual employment in the field furthers the perception that the workers themselves are threatening to social moires. If the Femme Fatale archetype was used in Noir to warn of the consequences of a woman’s non-traditional decisions, then its forceful transposition today onto sex workers speaks to our current moment's inability to grapple with not just rights, but autonomy.
This series is reliant on the artist and participants’ positions within the sex work community and is a reaction to the April 2018 passing of the bill package S.E.S.T.A./F.O.S.T.A.
(2018 - 2019)